A class I actually liked some of: on daemonization (Lionel Abel's term in his article "Daemons true and false") and character.  How the most practical matters of representing character on stage (what we hear about Macbeth vs. what we see) give insight into the deepest existential-psychological.  This is me essentially trying to turn aspects of Macbeth into L'attente l'oubli. With digressions and a digression on digressions.